Limericks were the favored poetic form; free verse and haiku were not well liked.
Some songs get better and better the more you hear them — even after dozens of plays.
How can you write a song that your listener will want to hear again and again? You sing it to yourself as you walk down the street. You can think of this as the heart of what your song is all about.
Verses flow out of the chorus and back again, much like your own bloodstream. Since the chorus gets repeated so often throughout most songs, writing the chorus section can mean that over half of your song is already written.
In other songs, the songwriter uses a short line or phrase that shows up in every verse. The songwriter can place a refrain anywhere in the verse section — one popular choice is to place the refrain at the end of each verse.
In many genres of music like pop, rock, rap, and country, the chorus is found nestled between verses, like this: If you ever have trouble determining what the chorus of a particular song is, try looking up the lyric.
The chorus section might be labeled. At the end of a song, repeating the chorus two or more times in a row signals to the listener that the song is coming to a close.
Many recorded songs fade out during a final repetition of the chorus.
Quick tips on writing a chorus Choruses are short — usually just one to eight lines long. The chorus lyric should contain the main topic of your song.
Choruses can be angry, sad, affectionate, playful — any state of mind can inspire a song. Keep your listener interested by writing music that contrasts the verse: You might also try to widen the range of the melody so that it reaches for higher or lower notes than the verse does.
Highlight the chorus by performing it more loudly, or use more dramatic shifts in volume than the verses. You can thicken your sound during the choruses by adding more instruments or vocal harmonies.
Like everything in this craft of songwriting, writing an effective chorus is a matter of studying your favorite songs and practicing. Choruses are all about repetition, and repetition also happens to be how we learn to write choruses.
Creative Commons image of a painted heart by PhotoSteve Share this post:the festival provides an annual platform for both children and adults to showcase their skills in creative writing, speech & drama, music, musical theatre and dance.
Oct 01, · Throughout history the world has been blessed with the occasional appearance of children with great talents, many of whom go on to become some of the most important contributors in their field.
This is a list of the ten greatest child prodigies. As usual, add your own favorites to the comments. A refrain (from Vulgar Latin refringere, "to repeat", and later from Old French refraindre) is the line or lines that are repeated in music or in verse; the "chorus" of a song.
Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina.. The use of refrains is particularly associated with where the verse-chorus-verse song structure typically places a refrain. Choral speaking is an activity which involves an oral presentation of a text, using expression to perform and enhance a text.
This is done by emphasising particular words, sounds or phrases to help make the text become a performance than a reading. It was enterprising of Wymondham Choral Society to choose Handel’s Theodora for their spring concert.
His penultimate oratorio, with an English libretto by Thomas Morell, its tragic story of the martyrdom of the Christian Theodora by the Romans was not well received, and even now, is not frequently heard.
a poem, or piece of poetry.
metrical composition; poetry, especially as involving metrical form. metrical writing distinguished from poetry because of its inferior quality: a writer of verse, not poetry.
a particular type of metrical composition: elegiac verse. the collective poetry of an author, period, nation, etc.: Miltonian verse; American verse.